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Karl Briullov
Portrait of the artistand Baroness yekaterina meller-Zakomelskaya with her daughter in a boat
mk149
1833-35
Oil on canvas
151.5x190.3cm
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Karl Briullov
Portrait of Fanni Persiani-Tachnardi as Amina in bellini-s opera la sonnabula
mk149
1834
Oil on canvas
113x87cm
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Karl Briullov
The Last day of Pompeii
mk149
1827
Oil and black chalk on canvas
58x76cm
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Karl Briullov
The Last day of Pompeii
mk149
1830-33
Oil on canvas
456.5x651cm
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Karl Briullov
Genseric-s Invasion of Rome
mk149
1833-35
Oil on canvas
88x117.9cm
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Karl Briullov
The Murder of Prince andrew of Hungary by order of giovanna of naples
mk149
1835
Watercolour on paper pasted on cardboard,heightened with white and varnish
35.5x25.8cm
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Karl Briullov
View of the Island of Madeira
mk149
1849
Watercolour on paper
19.9x24.6cm
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Karl Briullov
Portrait of Count carlo pozzo di borgo
mk149
1833-35
Oil on canvas
71x63cm
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Karl Briullov
Portrait of countess olga fersen riding a donkey
mk149
1835
Watercolour on paper
51.5x39.6cm
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Karl Briullov
Princess yelizaveta Saltykova on a balcony
mk149
1833-35
Watercolour on paper
44.4x33.6cm
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Karl Briullov
Portrait of count matvei vielgorsky
mk149
1828
Oil on canvas
138x97.5cm
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Karl Briullov
Portrait of Yekaterina Semionova
mk149
1836
Oil on canvas
80x59cm
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Karl Briullov
Portrait of Yelen thon
mk149
1837-40
Oil on canvas
56x47cm
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Karl Briullov
Portrait of Ulyana Smirnova
mk149
1837-40
Oil on canvas
90x71.5cm
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Karl Briullov
Portrait of Count Alfxei Tolstoy
mk149
1836
Oil on canvas
134x104cm
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Karl Briullov
Promenade
mk149
1849
Watercolour on paper
30x46cm
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Karl Briullov
Portrait of Sergei Sobolevsky
mk149
1832
Watercolour on paper
21.5x19.5cm
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Karl Briullov
Portrait of Vasily Zhukovsky
mk149
1837-38
Oil on canvas
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Karl Briullov
Portrait of The Shishmariov sisters,Olga and Alexandra
mk149
1839
Oil on canvas
281x213cm
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Karl Briullov
Portrait of alexander strugovshchikov
mk149
1840
Oil on canvas
80x66.4cm
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| Karl Briullov
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Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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